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Le Monde Culture — Mayu Hirano, la musique à fleur de peau (2021, Pierre Gervasoni) // ル・モンド文化欄 「平野真由、肌理に触れるような音楽」（2021年、ピエール・ジェルヴァゾニ）
@Mayu Hirano On May 27, 2021, the French newspaper Le Monde (Culture section) published an article by music critic Pierre Gervasoni,...
27 mai 2021
Interview with Mayu Hirano: Sculpting the Space of Film // 平野真由 インタビュー：映画の空間を彫刻する
©ircam-Centre Pompidou by Jérémie Szpirglas June 4, 2021 You have already worked several times on interdisciplinary projects: light,...
6 avr. 2021
Elisa Urrestarazu Capellán : Spanish Premiere of Narcisse en Eaux troubles for Soprano Saxophone by Mayu Hirano //エリサ・ウレスタラス・カペラン スペイン初演、平野真由《Narcisse en Eaux troubles》ソプラノ・サクソフォン
On March 20, 2021 at 12 PM , Elisa Urrestarazu Capellán presented the Spanish premiere of Mayu Hirano’s work Narcisse en Eaux troubles...
20 mars 2021
A Young Composer Carrying Forward the Legacy of Gérard Grisey, leading the French music scene : Hugues Dufourt highlights Mayu Hirano’s “Toucher” on France Musique
On December 25, 2019 , the France Musique program “Le Cri du Patchwork” featured a special segment in which composer Hugues Dufourt...
25 déc. 2019
World Premiere of Skin Memory — Mayu Hirano at Festival Les Musiques GMEM Marseille 2019 with the Tana Quartet《Skin Memory》世界初演 ― 平野真由、2019年GMEMマルセイユ「フェスティバル・レ・ミュジック」にてQuatuor Tanaと共演
©Quatuor Tana On May 15, 2019 at 9 PM , the Festival Les Musiques GMEM Marseille hosted the premiere of Mayu Hirano’s work Skin Memory ,...
15 mai 2019
France Musique spotlights “Toucher” in its entirety by Mayu Hirano, with an exclusive interview/ France Musiqueによる平野真由「Toucher」放送と作曲家の肖像
Link to the France Musique https://www.radiofrance.fr/francemusique/podcasts/creation-mondiale-l-integrale/toucher-pour-piano-de-mayu-hir...
13 nov. 2018
Ryuichi Sakamoto's Masterpiece Award for "kiun no ma" / 『kiun no ma』が坂本龍一氏の佳作賞を受賞
IS YOUR TIME SAKAMOTO Ryuichi with TAKATANI ShiroInstallation Music 2 Opera City NTT Inter Communication Center, Tokyo 09/12/2017 -...
12 oct. 2017
The New York Times about « Bloom » Five Nights of New Music, From Gentle to Terrifying By Seth Colter Walls Aug. 7, 2017
The veteran composer Chaya Czernowin’s 2016 work “Ayre: Towed” (an abbreviation of a much longer and more poetic title ) initially...
7 août 2017
Premiere of Bloom at the Time Span Festival 2017, New York / 『Bloom』初演 – アンサンブル・タレア、タイムスパン・フェスティバル20172017年8月1日 – ニューヨーク
© Susanna Fritscher During an artistic residency at the Earle Brown Music Foundation , I composed “Bloom” for a large ensemble.The work...
1 août 2017
Laureate of the Competition — Mayu Hirano's Artist-in-Residence 2018–2019 at Studio Art Zoyd with the Tana Quartet / コンクール・ラウレア（受賞者）2018–2019年スタジオ・アール・ゾイド レジデンス・アーティスト（Tana Quartet と共に）
As laureate of the competition , Mayu Hirano was awarded the prestigious position of Artist-in-Residence for the 2018–2019 season at...
13 janv. 2017
World Premiere of Singularité (2015) — IRCAM–Centre Pompidou & Théâtre National de Strasbourg, Festival Musica《Singularité》（2015年初演）// IRCAM–ポンピドゥーセンター／ストラスブール国立演劇学校共同制作、フェスティバル Musica にて
Composed in 2015 during her residency as a researcher at IRCAM–Centre Pompidou within the Cursus 2 program , Mayu Hirano’s Singularité...
4 mai 2016
Diapason Review – Festival Musica Strasbourg (2015), Mayu Hirano Singularité // 《ディアパソン》掲載 – ストラスブール・ミュジカ音楽祭（2015）平野真由《Singularité》批評
In 2015, at the Festival Musica in Strasbourg, Mayu Hirano’s work Singularité for accordion, string quartet, electronics and video was...
5 oct. 2015
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